THIS WORK EXPLORES GILLES DELEUZE'S CONTRIBUTION TO FILM THEORY. ACCORDING TO DELEUZE, WE HAVE COME TO LIVE IN A NEW UNIVERSE THAT COULD BE DESCRIBED AS METACINEMATIC. HIS CONCEPTION OF IMAGES IMPLIES A NEW KIND OF CAMERA CONSCIOUSNESS, ONE THAT DETERMINES OUR PERCEPTIONS AND SENSE OF SELVES.
ACKNOWLEDGMENTS VIII INTRODUCTION 1(13) 1. THE UNIVERSE AS METACINEMA 14(31) HITCHCOCK? UNIVERSE: ZIZEK AND DELEUZE16(6)>METACINEMA AND THE CINEMATOGRAPHIC APPARATUS22(11)>CAMERA CONSCIOUSNESS AND TEMPORAL CONFUSION33(12)>2. MATERIAL ASPECTS OF SUBJECTIVITY45(32)>PSYCHOANALYSIS AND THE MONSTROUS FLESH47(8)>AFFECTS AND POLITICS OF THE SPINOZIAN BODY55(6)>PLANE OF IMMANENCE: SUBJECTIVITY AND IMAGES OF THE FLESH61(16)>3. CINEMAS POLITICS OF VIOLENCE77(29)>VIOLENCE AND CINEMA OF THE BODY79(11)>MISSING PEOPLE AND FABULATION90(5)>SCHIZOPHRENIA IN CONTEMPORARY HOLLYWOOD95(11)>4. CONCEPTUAL PERSONAE AND AESTHETIC FIGURES OF BECOMING-WOMAN106(35)>THE PHILOSOPHER MEETS ALICE IN WONDERLAND108(4)>BECOMING WOMAN IN FEMINISM: ALICE DOESN'T?112(8)>ALICE IN CINEMATIC WONDERLAND120(21)>5. LOGIC OF SENSATIONS IN BECOMING-ANIMAL141(34)>STORIES, SENSATIONS, AND AFFECTION IMAGES142(9)>BECOMING-CHILD BEFORE BECOMING-ANIMAL151(7)>PASSIVE AND ACTIVE AFFECTS158(17)>6. (DE)TERRITORIALIZING FORCES OF THE SOUND MACHINE175(41)>ACOUSTIC MIRRORS AND FANTASMATIC STRUCTUR...(하략)
