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THE PULITZER PRIZE-WINNING EPIC OF THE GREAT DEPRESSION, A BOOK THAT GALVANIZED-AND SOMETIMES OUTRAGED-MILLIONS OF READERS.
FIRST PUBLISHED IN 1939, STEINBECK¡¯S PULITZER PRIZE-WINNING EPIC OF THE GREAT DEPRESSION CHRONICLES THE DUST BOWL MIGRATION OF THE 1930S AND TELLS THE STORY OF ONE OKLAHOMA FARM FAMILY, THE JOADS-DRIVEN FROM THEIR HOMESTEAD AND FORCED TO TRAVEL WEST TO THE PROMISED LAND OF CALIFORNIA. OUT OF THEIR TRIALS AND THEIR REPEATED COLLISIONS AGAINST THE HARD REALITIES OF AN AMERICA DIVIDED INTO HAVES AND HAVE-NOTS EVOLVES A DRAMA THAT IS INTENSELY HUMAN YET MAJESTIC IN ITS SCALE AND MORAL VISION, ELEMENTAL YET PLAINSPOKEN, TRAGIC BUT ULTIMATELY STIRRING IN ITS HUMAN DIGNITY. A PORTRAIT OF THE CONFLICT BETWEEN THE POWERFUL AND THE POWERLESS, OF ONE MAN¡¯S FIERCE REACTION TO INJUSTICE, AND OF ONE WOMAN¡¯S STOICAL STRENGTH, THE NOVEL CAPTURES THE HORRORS OF THE GREAT DEPRESSION AND PROBES INTO THE VERY NATURE OF EQUALITY AND JUSTICE IN AMERICA. AT ONCE A NATURALISTIC EPIC, CAPTIVITY NARRATIVE, ROAD NOVEL, AND TRANSCENDENTAL GOSPEL, STEINBECK¡¯S POWERFUL LANDMARK NOVEL IS PERHAPS THE MOST AMERICAN OF AMERICAN CLASSICS.
THIS PENGUIN CLASSIC SEDITION CONTAINS AN INTRODUCTION AND NOTES BY STEINBECK SCHOLAR ROBERT DEMOTT.
FOR MORE THAN SEVENTY YEARS, PENGUIN HAS BEEN THE LEADING PUBLISHER OF CLASSIC LITERATURE IN THE ENGLISH-SPEAKING WORLD. WITH MORE THAN 1,700 TITLES, PENGUIN CLASSICS REPRESENTS A GLOBAL BOOKSHELF OF THE BEST WORKS THROUGHOUT HISTORY AND ACROSS GENRES AND DISCIPLINES. READERS TRUST THE SERIES TO PROVIDE AUTHORITATIVE TEXTS ENHANCED BY INTRODUCTIONS AND NOTES BY DISTINGUISHED SCHOLARS AND CONTEMPORARY AUTHORS, AS WELL AS UP-TO-DATE TRANSLATIONS BY AWARD-WINNING TRANSLATORS.
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Á¸ ½ºÅ¸Àκ¤ ÀúÀÚ : STEINBECK, JOHN ¹Ì±¹ Ķ¸®Æ÷´Ï¾ÆÁÖ ¼³¸®³Ê½º¿¡¼ ž´Ù. ½ºÅÄÆÛµå´ëÇб³ »ý¹°Çаú¿¡ ÁøÇÐÇÏ¿´À¸³ª °¡Á¤ÀÌ ¾î·Á¿ö ÀÚÅðÇÏ°í ¹®ÇÊ»ýÈ°¿¡ Åõ½ÅÇϱâ·Î °á½ÉÇÏ¿´´Ù. ´º¿åÀ¸·Î ¿Í¼ ½Å¹®±âÀÚ°¡ µÇ¾úÀ¸³ª, °´°üÀûÀÎ »ç½Çº¸µµ°¡ ¾Æ´Ñ ÁÖ°üÀû ±â»ç¸¸ ½è±â ¶§¹®¿¡ ÇØ°íµÇ¾î, °®°¡Áö ¸·³ëµ¿À¸·Î »ý°è¸¦ À̾ú´Ù. µ¥ºßÀÛ 'Ȳ±ÝÀÇ ÀÜ'À» 1929¿¡ ¹ßÇ¥¸¦ ½ÃÀÛÀ¸·Î 'ÇÏ´ÃÀÇ ¸ñÀå', '¾Ë·ÁÁöÁö ¾Ê´Â ½Å¿¡°Ô' µîÀ» ¹ßÇ¥ÇÏ¿´À¸³ª Å« ÁÖ¸ñÀ» ²øÁö ¸øÇß´Ù. '»ýÁã¿Í Àΰ£'À» ¹ßÇ¥ÇÏ¿© ¸í¼ºÀ» ³¯¸®±â ½ÃÀÛÇß°í, ¿¡µ§ÀÇ µ¿ÂÊ, ºÐ³ëÀÇ Æ÷µµÀÇ ´ëÀÛÀ¸·Î »çȸÁÖÀÇ ¸®¾ó¸®ÁòÀ» ´ëÇ¥ÇÏ´Â ÀÛ°¡°¡ µÇ¾ú´Ù. 1968³â ½ÉÀ帶ºñ·Î »ç¸ÁÇß´Ù.
JOHN STEINBECK, BORN IN SALINAS, CALIFORNIA, IN 1902, GREW UP IN A FERTILE AGRICULTURAL VALLEY, ABOUT TWENTY-FIVE MILES FROM THE PACIFIC COAST. BOTH THE VALLEY AND THE COAST WOULD SERVE AS SETTINGS FOR SOME OF HIS BEST FICTION. IN 1919 HE WENT TO STANFORD UNIVERSITY, WHERE HE INTERMITTENTLY ENROLLED IN LITERATURE AND WRITING COURSES UNTIL HE LEFT IN 1925 WITHOUT TAKING A DEGREE. DURING THE NEXT FIVE YEARS HE SUPPORTED HIMSELF AS A LABORER AND JOURNALIST IN NEW YORK CITY, ALL THE TIME WORKING ON HIS FIRST NOVEL, CUP OF GOLD (1929).
AFTER MARRIAGE AND A MOVE TO PACIFIC GROVE, HE PUBLISHED TWO CALIFORNIA BOOKS, THE PASTURES OF HEAVEN (1932) AND TO A GOD UNKNOWN (1933), AND WORKED ON SHORT STORIES LATER COLLECTED IN THE LONG VALLEY (1938). POPULAR SUCCESS AND FINANCIAL SECURITY CAME ONLY WITH TORTILLA FLAT (1935), STORIES ABOUT MONTEREY¡¯S PAISANOS. A CEASELESS EXPERIMENTER THROUGHOUT HIS CAREER, STEINBECK CHANGED COURSES REGULARLY. THREE POWERFUL NOVELS OF THE LATE 1930S FOCUSED ON THE CALIFORNIA LABORING CLASS: IN DUBIOUS BATTLE (1936), OF MIC...(ÇÏ·«)
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THE GRAPES OF WRATHEDITOR¡¯S PREFACE TO THE SECOND EDITION CHRONOLOGY A NOTE ON THE TEXT I. THE GRAPES OF WRATH: THE TEXT MAP OF THE JOADS¡¯ JOURNEY II. THE SOCIAL CONTEXT FRANK J. TAYLOR, CALIFORNIA¡¯S GRAPES OF WRATH CAREY MCWILLIAMS, CALIFORNIA PASTORAL MARTIN SHOCKLEY, THE RECEPTION OF THE GRAPES OF WRATH IN OKLAHOMA III. THE CREATIVE CONTEXT JACKSON J. BENSON, THE BACKGROUND TO THE COMPOSITION OF THE GRAPES OF WRATH ROBERT DEMOTT, ¡°WORKING DAYS AND HOURS¡±: STEINBECK¡¯S WRITING OF THE GRAPES OF WRATH JOHN STEINBECK, SUGGESTION FOR AN INTERVIEW WITH JOSEPH HENRY JACKSON IV. CRITICISM EDITORS¡¯ INTRODUCTION: THE PATTERN OF CRITICISM FREDERIC I. CARPENTER, THE PHILOSOPHICAL JOADS PETER LISCA, THE GRAPES OF WRATH AS FICTION ROBERT J. GRIFFIN AND WILLIAM A. FREEDMAN, MACHINES AND ANIMALS: PERVASIVE MOTIFS IN THE GRAPES OF WRATH JOHN R. REED, THE GRAPES OF WRATH AND THE ESTHETICS OF INDIGENCE PATRICK W. SHAW, TOM¡¯S OTHER TRIP: PSYCHO-PHYSICAL QUESTING IN THE GRAPES OF WRATH JOHN J. CONDER, STEINBECK AND NATURE¡¯S SELF: THE GRAPES OF WRATH LOUIS OWENS, THE AMERICAN JOADS ...(ÇÏ·«)
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